Las óleos de todo Konstantin Korovin
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ID |
Image |
Painting (From A to Z) |
Details |
37255 |
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Actor |
mk121
1911
Oil on canvas
65x81cm
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37238 |
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Artist in studio |
mk121
About 1891
Oil on canvas
120x57.4cm |
37261 |
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Beside the open window |
mk121
1916
Oil on canvas
87.5x67cm
|
37259 |
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Bridge in the autumn scenery |
mk121
1912-1916
71.5x98.5cm
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37246 |
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Cafe of Paris |
mk121
1890
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37247 |
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Cafe of Paris |
mk121
1890
Oil on canvas
51.8x42.8cm
|
23243 |
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Country Village (nn02) |
1919
Oil on canvas (dimensions unknown) State Russian Museum,Leningrad |
37263 |
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Fish |
mk121
1916
Oil on canvas
106x88cm
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37267 |
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Fish wine and fruit |
mk121
1916
Oil on canvas
64.7x86.8cm
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37257 |
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Flower and fruit |
mk121
1911-1912
Oil on canvas
80x64cm
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37232 |
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Have tea |
mk121
1888
Oil on canvas
48.5x60.5cm
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37240 |
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Impression |
mk121
1903
61.4x47cm
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37252 |
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Impression |
mk121
1906
Oil on canvas
59.9x73cm |
37241 |
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In the North |
mk121
1899
Oil on canvas
47x65cm
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37266 |
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In the room |
mk121
1919
Oil on canvas
88.5x67cm
|
94677 |
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Konstantin Korovin's costume design for Igor in the production of Prince Igor at the Mariinsky Theatre, 1909 |
1909
TTD |
94679 |
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Korovin Paris |
1933
TTD |
37242 |
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Mistress |
mk121
1896
Oil on canvas
74x43cm
|
37264 |
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Near the window |
mk121
1919
Oil on canvas
88x66cm |
2250 |
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Northern Idyll |
1886
The Russian Museum, St.Petersburg |
57159 |
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Nvgechangjia |
mk253 canvas 160 x 84 cm in 1886 in St. Petersburg, Russia museum |
57160 |
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Nvgechangjia |
mk253 canvas 160 x 84 cm in 1886 in St. Petersburg, Russia museum |
37243 |
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Paper Lantern |
mk121
1898
Oil on canvas
79.5x33.2cm
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37244 |
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Paper lantern |
mk121
|
23244 |
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Paris (nn02) |
14th of July n.d Oil on canvas (dimensions unknown)State Russian Museum,Leningrad |
23234 |
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Paris Cafe (nn02) |
1890s
Oil on canvas,24 x 19 3/4'' State Tretiakov Gallery,Moscow |
37265 |
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Paris France |
mk121
1930
Oil on canvas
80.5x65cm
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37245 |
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Pier |
mk121
1903
Oil on canvas
45x64cm
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37250 |
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Pier |
mk121
1914
Oil on canvas
89x121cm
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2248 |
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Pier in Gurzuf |
1914
The Russian Museum, St.Petersburg |
85688 |
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Pier in Gurzuf |
Date 1914(1914)
Medium Oil on canvas
Dimensions 89 x 121 cm (35 x 47.6 in)
cjr |
37235 |
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Port |
mk121
1894
Oil on board
21.5x32.5cm
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37236 |
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Port |
mk121
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37249 |
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Portrait |
mk121
1903
Oil on canvas
90.4x78.7cm
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37256 |
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Portrait |
mk121
1912
Oil on canvas
108x71cm
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2252 |
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Portrait of the Actress, Titiana Liubatovich |
The Russian Museum, St.Petersburg |
37262 |
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Rose |
mk121
1912
Oil on canvas
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37254 |
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Rose and Violet |
mk121
1912
Oil on canvas
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37260 |
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Seashore |
mk121
1910
Oil on canvas
46.5x77cm
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37233 |
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Songstress |
mk121
886
Oil on canvas
160x84cm
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37234 |
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Songstress |
mk121
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37237 |
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Summer |
mk121
1895
Oil on canvas
64.3x46.3cm
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94678 |
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The Art Museum, Yaroslavl, Russia |
1930s. Oil on canvas.
TTD |
37251 |
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The Cafe of Yalta |
mk121
1905
Oil on canvas
44.5x71.5cm
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37258 |
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The lady play Guitar |
mk121
1911
Oil on canvas
87.2x67cm
|
2249 |
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The Opera Singer, Fiodor Shaliapin |
1905
The Tretyakov Gallery, Moscow |
37248 |
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The park of Paris |
mk121
1906
Oil on canvas
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37253 |
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The park of Paris |
mk121
1911
Oil on canvas
65x80.7cm
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37231 |
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The Rural life of Northern |
mk121
1886
Oil on canvas
113x153cm
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37239 |
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Winter |
mk121
1894
Oil on canvas
64.3x46.3cm
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Konstantin Korovin
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1861-1932
Russian Konstantin Korovin Galleries
Konstantin was born in Moscow to a merchant family officially registered as peasants of Vladimir gubernia. His father, Aleksey Mikhailovich Korovin, earned a University degree and was more interested in arts and music than in the family business established by Konstantin's grandfather. Konstantin's older brother Sergey Korovin was a notable realist painter. Konstantin's relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture.
In 1875 Konstantin entered the Moscow School of Painting, Sculpturing and Architecture, where he learned from Vasily Perov and Alexei Savrasov. His brother, Sergey was already a student of the School. During their scholar years Korovins became friends with their fellow students Valentin Serov and Isaac Levitan, Kontantin kept these friendship through the whole of his life.
In 1881-1882, Korovin spent a year at the Imperial Academy of Arts in Saint Petersburg, but returned disappointed to the Moscow School of painting, sculpturing and architecture. He studied at the school under the new teacher Vasily Polenov until 1886.
In 1885, Korovin made traveled to Paris and Spain. Paris was a shock for me?? Impressionists?? in them I found everything for what I was scolded back at home, in Moscow, he later wrote.
Korovin. On the balcony, Spanish women Leonora and Ampara. 1897-1898.Polenov introduced Korovin to Savva Mamontov's Abramtsevo circle: Viktor Vasnetsov, Apollinary Vasnetsov, Ilya Repin, Mark Antokolsky and others. The Abramtsevo circle's love for stilized Russian themes is reflected in Korovin's picture A Northern Idyll. In 1885 Korovin works for Mamontov's Opera house. He designed the stage decor for Giuseppe Verdi's Aida, L??o Delibes' Lakme and Georges Bizet's Carmen.
St. Triphon's Brook in Pechenga. 1894.In 1888, Korovin traveled with Mamontov to Italy and Spain, where he produced painting On the balcony, Spanish women Leonora and Ampara. Konstantin traveled within Russia, Caucasus and Central Asia, exhibited with Peredvizhniki. He was painting in the Impressionist and later in the Art Nouveau style.
In the 1890s, Korovin became a member of the Mir iskusstva art group.
Korovin's subsequent works was strongly influenced by his travel to the North. In 1888 he was captivated by the stern northern landscapes, as seen in The Coast of Norway and The Northern Sea.
His second trip to the North, with Valentin Serov in 1894, coincided with the construction of the Northern Railway. Korovin painted a large number of landscapes: Norwegian Port, Saint Trifon's Brook in Pechenega, Hammerfest: Aurora Borealis, The Coast at Murmansk and others. The paintings are built on a delicate web of shades of grey. The etude style of these works was typical for the Korovin's art of the 1890s.
Using material from his northern trip, Korovin designed the Northern Railway pavilion at the All Russia Exhibition of 1896 at Nizhny Novgorod.
In 1900, Korovin designed the Central Asia section of the Russian Empire pavilion on the Paris World Fair; and was awarded the Legion of Honour by the French government.
Spring, 1917In the beginning of the 20th century Korovin focused his attention on the theatre. He moved from Mamontov's opera to Mariinsky Theatre in Saint Petersburg. Departing from the tradition of the stage decor, which only indicated the place of action, Korovin produced a mood decor, which conveyed the general emotions of the performance. Korovin designed sets for Constantin Stanislavski's dramatic productions, as well as Mariinsky's operas and ballets. He did the stage design for such Mariinsky's productions as Faust (1899), The Little Humpbacked Horse (1901) and Sadko (1906) that became famous for their expressiveness.
Pier in Gurzuf, 1914In 1905, Korovin became an Academician of Painting, and in 1909-1913 he was a professor at the Moscow School of Painting, Sculpture and Architecture.
One of the artist's favourite themes was Paris. He painted A Paris Cafe (1890s'), Cafe de la Paix (1905'), La Place de la Bastille (1906), Paris at Night; Le Boulevard Italien (1908'), Night Carnival (1901), Paris in the Evening (1907) and others.
During the World War I Korovin worked as a camouflage consultant at the headquarters of one of the Russian armies and was often seen at the front line. After the October Revolution Korovin continued to work in the theatre, designing stage for Richard Wagner's Die Walk??re and Siegfried as well as Pyotr Ilyich Tchaikovsky's The Nutcracker (1918-1920).
In 1923 Korovin moved to Paris by the advice of the Commissar of Enlightenment, Anatoliy Vasilievich Lunacharsky, to cure his heart condition and help Korovin's handicapped son. There was supposed to be a large exhibition of Korovin's works but the works were stolen and Korovin was left penniless. For years he produced the numerous Russian winters and Paris boulevards just to make ends meet.
In the last years of his life he produced stage designs for many of the major theatres of Europe, America, Asia and Australia, the most famous of which is his scenery for a production by the Turin Opera House of Nikolai Rimsky-Korsakov's The Golden Cockerel.
Korovin died in Paris on September 11, 1939.
Konstantin's son Alexey Korovin (1897-1950) was a notable Russian-French painter. Because of an accident during his childhood he had both feet amputated. Alexey committed suicide in 1950.
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